
Scripture & Myth
Engraved after Gustave Doré
A Jewish apocalypse from the centuries before the common era, preserved complete only in Ethiopic. Two hundred angels swear an oath on a mountain, come down, take wives, and teach humanity metalwork, cosmetics, sorcery and astronomy. Their children are giants who eat everything. The archangels petition; the flood is the answer. Enoch is taken up to see it all first.
Doré's Bible of 1866 is the most widely reproduced illustrated scripture ever made, and Enoch is the book adjacent to it that he could not have drawn — excluded from the canon he was working from, and not translated into a European language until 1821.
Everything he needed is nonetheless there: the Watchers' descent is a fall of angels, which he engraved definitively for Milton, and Enoch's tour of the cosmos is structurally the Paradiso. This cycle puts his hand on the apocryphal text his own Bible left out.
Angels as terrible rather than decorative. The Watchers are the subject and the plates keep them enormous, lit from behind, and never sympathetic — which is how the text has them.
The Word of the Blessing
The Birth of the Giants
The Sending of the Angels
The Throne of the Great Glory
The Hollow Places of the Dead
The Mansions of the Elect
Sheol Gives Back the Dead
The Furnace of the Sinners
The Phases of the Moon
The White Bull and His Line
The Stars Cast into the Fire
The Sword Given to the Righteous