
Joseph Conrad
Engraved after Gustave Doré
A sailor takes a steamboat up a river into a colony to retrieve an agent who has stopped sending reports and started being worshipped. What he finds is less a man than a demonstration of what the enterprise was always for.
Doré died in 1883, six years before Conrad went up the Congo, and the timing is the argument. His 'London: A Pilgrimage' had already shown him willing to draw an empire's underside without flattering it — and the book Conrad wrote is about exactly the machinery Doré's Europe was running.
An illustrated Heart of Darkness by a Victorian is nearly unthinkable. That is what makes it worth attempting.
Vegetation as wall. The river narrows through the cycle and the forest closes; nothing on either bank is ever fully legible, which is the point of the book and something engraving does better than paint.